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Academic writing Editing Memoirs Paragraphs Writing style

Writing Without Fear: Finding Your Voice

At an art college where I used to teach, students were required to go on a field trip. As an incentive in my class, they had to write a 250-word report that would count for 5% of their final grade; I also guaranteed they would basically get an A on this assignment if they just finished it and handed it in. Interestingly, some of these reports were better written than their term papers. Freed from the necessity of conforming to their preconceived ideas of what an academic essay is supposed to be, they allowed their real abilities as writers to surface. More importantly, their personal voices came through.

Allowing what you write to reflect who you are and what you believe is a perennial balancing act for students and academics alike. But it is also an issue for people in a wide variety of situations—the businesswoman giving a keynote address at a dinner or writing copy for her company’s brochure; an aggrieved citizen writing a letter to their local district attorney; or an immigrant for whom English is a second language trying to write their resume.

Some editing services advertise they can transform a piece by an ESL author to make it read like it was written by a native speaker. To some extent, this is what we also do. But I don’t think it should be done at the expense of neutering who that person is. As a professor, one of the joys of working with international students was the added perspectives they brought to the classroom. And as a magazine editor, I likewise found the pluses of having contributors from around the world far outweighed the extra effort that may be involved in working with them.

Writing without fear can be especially hard for high school students writing their personal essays when applying to college. The hypercompetitive atmosphere surrounding the process can be very scary, which can lead applicants to be overly conservative. The resulting essay might seem to fulfill all the school’s requirements except one: the clear sense of who the applicant is. In other words, a lack of a personal voice, a quality admissions officers really do look for.

The one type of writing we have worked with that does not really suffer as much from artificial constraints is the personal memoir. These can be rather fun to work on. For instance, we once got a book written for family and friends (it was to be self-published). As such, the prose was casual and unforced, so we could concentrate on things like grammar and structure to allow it to breathe better. In this case, the author did not seem to understand how to break up their text into proper paragraphs (i.e., he made paragraphs that went on for pages, or run-on paragraphs). The results were very gratifying, and our job was made easier because the writer was speaking from his heart.

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Academic writing Editing Structure Writing

Writing is Thinking: There Are no Shortcuts, Including the 5-Paragraph Essay

Click on this image to go to Jonathan Lang’s excellent post on “Unlearning the Five Paragraph Essay.”

There are misconceptions out there about writing, and one of them is that writers have talent and the rest of us don’t. Schools try to “teach” writing and just leave most people with a distaste for trying to express themselves with the written word.

Many of us had our writing styles ruined by education. I’m one of them. After eight years of full-time grad school trying to turn out PhD-prose, I became a horrible writer. Constipated and verbose at the same time. It wasn’t until I discovered new ways of writing qualitative research that things started to get better. People who tried to help me, editors at journals, colleagues, were at a loss.

I had to struggle through it. Writing poetry actually helped. Reading the new ethnography helped. A mentor would have also helped. But I was too embarrassed to ask, or even think of asking, or pay for a coach. After all, I was supposed to know how to write.

If you’re having trouble, it’s probably at least partly the fault of mass education. In particular, the five-paragraph essay formula is devastating to good writing. And that’s what schools teach, because busy high school English teachers with 200 students a day don’t have time to mentor beginning writers.

I’m going to say that having ideas is the most important part of writing. Writing is a process of thinking them through to find meaning. I often say, “I don’t know what I think until I write.” You may want to start with an outline, which can help organize your thoughts, but be prepared to let the writing go where it wants to. You can fix it in the next draft.

I generally disregard the conventions of mapping out an entire article or essay beforehand, because the process of writing unearths ideas and connections I didn’t know were there, what we call, “writing straight ahead.” (An outline can come after, when I’m struggling to figure out what the hell I just wrote. As I said, there are no shortcuts.)

I urge the struggling writer, at any level, to find someone who has time and patience to point out where you are successfully communicating, and who is able to help you identify and bring your ideas into the sunlight of the printed page.

Yes, to some degree this is a plug for our services. But even if you don’t want to pay for our help, or you don’t think we are the right people for you, it’s worth finding an editor you can trust.

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Academic writing Thesis statements

Writing Process: Being Specific

Lois Wilson and Warner Baxter in 1926 screen version of The Great Gatsby
Lois Wilson and Warner Baxter in the lost 1926 silent film version of The Great Gatsby.

One of the most common struggles students seem to have is how to go beyond vague generalizations. Being clear about what you mean through the use of examples makes your writing easy to understand. A good approach focuses on “showing” not “telling.”

To be clear about the difference, telling means a statement without letting the reader know how or why you reached that conclusion.

Example #1: Student writing that needs revision:

In the novel The Great Gatsby, all the characters are unattractive. The author did not develop sympathy for the main characters, Jay Gatsby and Daisy Buchanan. They got what they deserved. This novel is vastly overrated.

Example #2: On the other hand, the Spark Notes description of Gatsby’s empty, decadent characters provides rich detail that goes beyond moral judgment.

The luncheon with Wolfshiem gives Nick his first unpleasant impression that Gatsby’s fortune may not have been obtained honestly. Nick perceives that if Gatsby has connections with such shady characters as Wolfshiem, he might be involved in organized crime or bootlegging.

One purpose of the novel is to show the moral bankruptcy of social elites during the Roaring Twenties. Even though the Spark Notes version (hated by teachers) covers similar territory as Example #1. However the website author shows us the immoral behavior rather than just stating it as a fact. It is important to let the readers understand why you make the statements you do.

The thesis statement of Example #1 is that the characters are unattractive. The implication in the concluding sentence is that the writer did not enjoy the novel. Both are valid perspectives. Between the beginning and the end, however, there is something missing: Details that show the reader why you made those statements.